SOCIAL PROGRAM OF POSTMODERN

Abstract

The article reveals the social program of postmodernism in the light of the opposition of his social project to modernity. It is substantiated the idea that a person in the conventional sense today is not an eternal ontological reality and an ideological construct of the modernist paradigm that emerged in the course of gradual liberation of Western European society. The author shows that the establishment of postmodernism social programs began in the time of the realization that a person can not be considered the alpha and omega of the world. It is emphasized the destructive role of the social project of postmodernism, as it aims to reveal the "death of man". Postmodernism, which undermined the fundamental principles of the modernist paradigm, offered its own social project, within which the individual or social subject is fully decentralized. They are on the verge of many identities that do not even have the intention of establishing integrity or completeness. Postmodern art abandoned attempts to create a universal canon with a strict hierarchy of aesthetic values and norms. The only indisputable value is the unlimited freedom of self-expression. The article gives the demonstration of postmodernism and its extreme contrasts with the unconventional art of the avant-garde. The author stressed the deep marginal character of postmodern. Post-modernism as a cultural paradigm is actively participate in our activities, as well as in the curriculum vitae, and actively engage in discussions.